Moetsoneng. Image ewn.co.za . |
If the rot is not stopped, the
SABC is well on its way to becoming a Broederbond-style puppet it was before
1994.
THE censorious,
high-handed, Stalin-esque edifice that currently passes for our national
broadcaster today is a cause for grave concern. Admittedly, the SABC has been in
a crisis for years, but under its current Chief Operating Officer, Hlaudi Moetsoneng,
the SABC has drifted from a crisis to a catastrophe.
So
much so, that the World Association of Newspapers and News Publishers, the
World Editors Forum and the African Editors Forum have expressed concerns about
the silencing and censoring of SABC journalists.
The demeaning
response by Communications Minister Faith Muthambi to acting chief executive Jimi Mathews’ resignation
is equally disappointing. Mathews has been at the media coalface for decades –
apartheid and post-apartheid. His comments about a “corrosive” atmosphere at
Auckland Park – or Hlaudi House as it’s now known – should be taken very seriously.
Without
doubt, one of the greatest questions in the whole distasteful saga is how the government
has allowed Moetsoneng, a man of dubious qualification and dishonest character (confirmed
by the Public Protector), to run such a critical institution as the national
broadcaster.
Not
only that, he was found wanting as a media professional in 2006 when he was a
producer at Lesedi FM. A Deloitte and Touche audit had his colleagues regarding
him as a “semi-literate” journalist who was “inexperienced” and unable to
communicate effectively in English.
Then
there is the fact that with the Western Cape High Court ruling his appointment
as COO unlawful, Hlaudi Moetsoneng should not even be in the building. His boss
Madame Faith Mathumbi, who has supported and emboldened him, has a lot to
answer for.
Not
only does she have to comply with a court order against her department on
digital migration and encryption boxes – which she thinks only the SABC should
have access to – but the view of media pundits such as the Media Monitoring
Agency, who say that the SABC has violated its licence conditions due to
Moetsoneng’s showy mismanagement.
Constitutionally, the SABC is meant to be a public broadcaster, not the personal fiefdom of its COO, or the exclusive voice of a political master such as President Jacob Zuma.
My
concern, as a practising journalist of 40 years, is that if the rot is not
stopped soon the SABC will be well on its way to becoming a Broederbond-style puppet,
something that it was before 1994. Like so many South Africans, I do not want
to see the national broadcaster laundering my news 22 years after democracy.
When I
first entered the trade of journalism in 1976, there was almost blind
obeisance to the National Party – and if
you wanted to speak the truth, you had to work in the alternative media or for
foreign wire services where fear, danger, banning and security police harassment
would be your daily diet. These are
things that former executive officer Jimi Mathews, who was a cameraman for Visnews
in those days, should remember well.
Moetsoneng’s
unilateral shutting down of The Editor’s programme, his ban of newspaper
headlines and his censoring of violent protest are just so starkly reminiscent of
the old-style SABC, an SABC that blacked-out everything that the state – or Nationalist
Party royalty – did not like.
Even
Moetsoneng’s style of leadership – best described as post-apartheid baaskap –
is similar to the white baaskap of the SABC’s biggest don, Piet Meyer, who according
to former Board member, Prof Sampie Terreblanche, ran the apartheid broadcaster
like a Mafia.
Moetsoneng’s
surprise, if not welcome announcement of the SABC’s eighteen radio stations having
to play 90% local content unfortunately does not indicate informed decision making,
let alone market research. Even local musicians, most of whom have never received
royalties from the SABC anyway, were taken aback at his edict.
His response
to Radio Lotus was as bizarre as his Mzwakhe Mbuli composed Morning Live praise
song. During a live interview on Lotus’ Newsbreak show he stopped presenter Genevieve
Lanka from reading out listener responses. They were expressing concerns about
the station being able to find enough local Indian artists to fill the playlist,
something that did not seem to bother Moetsoneng.
That
Moetsoneng’s elephant in the room could be his own ego is a moot point. But
further questions have to be asked about the role that SABC Board chairman,
Mbulaheni Maguvhe, has played in the whole saga. His apparent muteness on Moetsoneng’s wild managerial
ways on floor 27 of Auckland Park seems to be a case of tacitere et consente – silence is consent.
This
is against the background of Moetsoneng claiming that he enjoys the full
support of the South African public and the SABC Board, SABC insiders claiming
that the Board has been cowed by his political connections – something Moetsoneng
publicly laughs off.
In any
case, it seems as if Maguvhe will soon have to literally face the music. A
document seen by journalists at the Sunday Times indicates that in September
this year he will have to explain how the SABC has managed to post a massive
multi-million rand loss for its past financial year, in spite of promises in
parliament of a turnaround by minster Faith Mathumbi.
A warning
sign has been the broadcaster being refused a special R32 million special
allocation to cover the municipal elections by the Treasury, and Moetsoneng’s contradictory
utterances to the media about the SABC not facing a financial crisis and having
hundreds of millions of rands in the bank.
The
issue of Moetsoneng, and his disastrous leadership of the SABC, goes far beyond
being an internal spat or a case of political difference. It is an affair that
should concern every South African citizen. The SABC, we have to remind
ourselves again, is a national – and not an ANC – broadcaster. For millions of
us, even in frontline states such as Zimbabwe, the SABC is our only source of
news and we all have a right to accurate and fair coverage.
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